© BONES, Fuji Television
Metallic Rouge sure does keep you thinking. Recently’s episode was a cerebral assortment of nonlinear memories and puzzling extraterrestrial carnival barkers. Today, the story becomes a screwball spacefaring funny where serial murder and PEMDAS are punchlines. In lower hands, the timing and material of this episode might have felt as uncomfortable as slipping on a banana peel. Metallic Rouge, nevertheless, trips that peel like a roller skate into the anime’s funniest episode.
It’s essential for the funny to land due to the fact that otherwise, this episode makes little sense. Hell Giallon seemingly starts with espionage in mind, utilizing his doppelganger capability to slip onto the earthbound ship taking our 2 leading girls back home. This, nevertheless, ends up being a moot point as soon as he begins slashing individuals completely view of both the security cams and police onboard. Missing any discernable factor for producing this mayhem, we can just conclude that he’s there to tinker Naomi and Rouge, effects be damned. This does not an engaging bad guy make. Media is so oversaturated with dime-store Jokers today. Did he actually trigger all this turmoil so he could battle Rouge and inform her that he eliminated her daddy (which I’m not purchasing, by the method)? We require some degree of inspiration from Giallon besides him doing it for the lulz.
His conserving grace is that Giallon’s shenanigans end up being a strong car for Metallic Rouge‘s askew funny bone. Giallon himself isn’t that amusing, however individuals’s responses to him are. I like seeing Ash take on more of a main function this week. His no-nonsense investigator schtick runs aground versus Giallon’s clownishness and Rouge and Naomi’s unseriousness, which entertains me. Ash winded and wheezing in the corridor, yet declining to quit cigarette smoking, seems like a bumbling beat removed of a Columbo episode. I likewise believed the travelers’ blasé responses to a serial killer stowaway were rather amusing. You do not see a great deal of individuals stressing. For the many part, they’re simply irritated. Perhaps killer doppelgangers are a more regular incident in the year 2128. And, credit where it’s due, I did make fun of Giallon when he drifted off into Earth’s environment. I do not think for a 2nd that we’ve seen the last of him, however it was an amusing image.
The real stars of this circus are Naomi and Rouge, so it’s no surprise that they’re accountable for this week’s silliest scenes. It’s tough to choose my favorite. Naomi’s test to discover the real Rouge is a humorous development on that timeless trope, assisted by the impressive comical timing of the whip-quick period in between Giallon opening his mouth and Naomi shooting. It’s completely in-character too. Even at gunpoint, Rouge would never ever do mathematics. The other radiant example of Rouge’s big brain is her method of option for discovering Giallon, i.e., sucker-punching all the suspects till he reveals himself. The strong physical funny leads perfectly into Rouge kicking a canine, the pet standing on his hind legs, the canine speaking, and after that the pet considerably changing into Giallon’s tokusatsu armor. I enjoy it. For a minute, I wasn’t sure whether they were really going to stimulate Rouge smacking a huge, gorgeous St. Bernard– even if it did end up being a phony– however they went all out.
This episode shows that Naomi and Rouge’s connection is important to the tone and quality of Metallic Rouge Kimiko Ueno composed the script for both this and the 2nd episode, and taken together, these examples reveal that she has the firmest grasp on how the ladies’ relationship can boost the story’s lighter and darker minutes. The voice stars knock it out of the park, too. Tomoyo Kurosawa‘s hoarse shipment of “What the hell??” after getting cuffed is my preferred line read of the week. I question the number of takes it considered her to strike that ideal level of gravelly desperation. Yume Miyato’s efficiency as Rouge has actually been less fancy however no less outstanding. When she snaps out of her typical airheaded attitude, such as Rouge ending up being audibly disturbed at the idea of Naomi being implicated of murder, Miyato includes a great deal of weight to Rouge’s sensations.
The plot stays a kaleidoscope of tips, red herrings, twists, and appropriate nouns. It’s 6 weeks in, and we’re recently finding out that Gene has an unidentified ulterior intention different from Aletheia’s, which might or might not accompany Rouge and Naomi’s real objective, which might or might not have something to do with Naomi siding with Ochrona, which might or might not pertain to her handle Ash, and so on etc. Do you truly care? I do, insofar as these intensifying strategies and obligations sustain the plot’s momentum, welcome impactful character interactions, and result in a thematically sound message. For now, I’ve lost interest in putting together a puzzle with an indeterminate number of pieces. I’m content to wander in addition to the story’s present. This mindset aggravates flourishes like this week’s cliffhanger, however it was a lame cliffhanger to start with. Do I think for a 2nd that Naomi has betrayed Rouge? Obviously not. I’m likewise not committing any psychological processing power to hypothesize on what’s going down. I’ll wait up until the next episode.
Metallic Rouge is at its finest when it tempers its breadcrumb path storytelling with Rouge and Naomi bumming around together like an old couple. The week-to-week tonal range is certainly part of the anime’s appeal. Still, I question if refocusing the program on separated screwball experiences like episodes 2 and 6 may have made it more instantly appealing. I do not understand. It’ll be simpler to evaluate when we have the total photo. In the meantime, Metallic Rouge has its defects, however I can’t dislike anything that makes me laugh this much.
Ranking:
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