“A contender for one of the best affordable electrics available right now”: FGN Boundary Iliad BIL2MHS review

“A contender for one of the best affordable electrics available right now”: FGN Boundary Iliad BIL2MHS review

Guitar World Verdict

The very best appreciation that might be bestowed upon the Iliad is that it seems like it might call for a greater cost. If you’re trying to find a top-performing T-style, with street costs of around ₤ 500, the Iliad is a must-try.

Pros

  • +

    Premium Gotoh hardware.

  • +

    Exceptional U-profile neck.

  • +

    Pickups well-voiced.

  • +

    Great playability.

Cons

  • May be tough to discover in some areas.

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Japan’s FujiGen factory is widely known on the planet of guitar production. Throughout its history, the business has actually developed guitars for renowned brand names consisting of Fender, Ibanez and Yamaha, and has actually acquired an excellent credibility for outstanding quality.

As providing its know-how to others, FujiGen is likewise the home of FGN– a line of classic-yet-contemporary guitars that guarantees to put Japanese construct quality into a modest, economical bundle, thanks to the lack of a “huge name” on the headstock.

It is from this family tree that our Iliad declares. Raised from FGN’s ranks of Telecaster-motivated instruments, the Iliad is marketed as a modern-day twist on Fender’s single-cut style, keeping much of the appeal of the initial design template, and injecting it with some unique FujiGen style.

That is accomplished by the basswood body and maple neck, which are coupled with a 22-fret maple (or rosewood, depending upon the surface) fingerboard. A timeless mix discovered in budget-friendly instruments, these specifications are signed up with by exclusive pickups and a six-saddle FGN bridge, along with Gotoh tuners and a cool lengthened pickguard.

All of the above can be had for simply ₤ 549, and with FGN in its corner, this design has the prospective to be a competitor for one of the very best economical electrics offered today. We’ve definitely discovered this guitar to be a severe, severe gamer.

(Image credit: Future/ Phil Barker)

The body is skillfully ended up and contoured, with a subtle yet efficient toned neck joint for accessing the upper worries– gain access to that is more assisted in by the a little sharper cutaway. The neck, similarly, isn’t a lightweight piece of wood that gets lost in the hand; it’s a significant U-profile piece that works marvels in promoting smooth playing, specifically when coupled with the substance fingerboard.

The 10″-14″ radius motivates simple and easy worrying, while FGN’s ‘Circle Fretting System’ (somewhat circular stresses, rather of dead straight) apparently enhances pitch and tone. The impacts might or might not be minimal, however we ‘d argue that little information like this matter, and add to the premium feel when playing the Iliad.

When it comes to tones, it’s all too simple to be hesitant about exclusive pickups discovered on budget friendly guitars, however these are extraordinary entertainers. The neck humbucker in specific is particularly addicting, and wired to a coil-split push/pull tone pot that channels genuine Tele twangs in addition to husky cleans up. The bridge single-coil pickupwhile possibly not as unique, still would not run out location in a more pricey guitar.

The very best appreciation that might be bestowed upon the Iliad is that it seems like it might necessitate a greater price. If you’re trying to find a top-performing T-style, with street rates of around ₤ 500, the Iliad is a must-try.

Specifications

  • RATE: ₤ 549
  • TYPE: Electric guitar
  • BODY: Basswood
  • NECK: Maple, U-Shape, Bolt-on
  • FINGERBOARD: Maple, 10″-14″ substance radius
  • WORRIES: 22, Medium
  • PICKUPS: FGN BH-n, FGN BIL-b
  • CONTROLS: 3-way lever pickup-selector switch, 1x Master Volume, 1x Master Tone w/ Push-Pull Coil Split
  • HARDWARE: FGN FJIL-6SSTD bridge, Gotoh SD91-05M tuners
  • SURFACE: Black (as examined), Sapphire Blue Metallic, Burgundy Mist
  • CONTACT: FGN Guitars

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Matt is a Staff Writer, composing for Guitar World Guitar player and Overall GuitarHe has a Masters in the guitar, a degree in history, and has actually invested the last 16 years playing whatever from blues and jazz to indie and pop. When he’s not integrating his enthusiasm for composing and music throughout his day task, Matt records for a variety of UK-based bands and songwriters as a session artist.

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