Frank Stella, American abstract artist, passed away Saturday at 87 in Manhattan. Cause of death was lymphoma according to other half Harriet McGurk.
Associate Marianne Boesky stated in a declaration, “Working with Frank for the previous years is an honor. He leaves an amazing tradition.”
Stella, born 1936 Massachusetts, studied painting under Patrick Morgan at Phillips Academy Andover. Ongoing research studies in history and painting at Princeton under Stephen Greene and Willliam Seitz. Relocated to NYC in late 1950s.
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Accomplished early popularity with monochromatic “Black Paintings” displayed at MoMA at 22. These works became his greatest contribution to postwar abstract motion. Utilized home paint and large brush to produce black stripes with thin exposed canvas lines.
Stella stayed efficient for 6 years, including multimedias and geometric canvases into his work, blurring the lines in between painting and sculpture.
Well-known works consist of “Protractor Series” including curved lines and brilliant colors (late 1960s/early 1970s) and neon-speckled “Moby Dick” sculptures (1980s/1990s).
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A giant of the art world, Stella’s impact went beyond the abstract motion. His capability to press limits and difficulty conventional concepts of painting and sculpture protected his location amongst the most crucial artists of the 20th century.
His early “Black Paintings” assisted prepare for Minimalism, a significant art motion that stresses simpleness and standard shapes. Even today, Stella’s expedition of geometric shapes and the blurring of lines in between painting and sculpture continues to influence modern artists operating in geometric abstraction.